Satyricon

Enslaved

Norway

Oslo

Oslo Spektrum

Unholy Halloween: Dimmu Borgir

In true Enslaved fashion, the Bergen voyagers’ 16th album, Heimdal, is both a departure and a communion with roots forged over three decades ago in the turbulent birth throes of Norway’s black metal scene. Founded in 1991 by the then precociously young Ivar Bjørnson and Grutle Kjellson, Enslaved were determined to set out on a different course from their Satanic, church-burning peers, turning their attention towards Viking lore and writing the majority of the lyrics for their 1994 debut album, Vikingligr Veldi, in Icelandic for its proximity to Old Norse.
2020’s Utgard album was the beginning of a new phase for the band, delving deeper into the esoteric nature of Nordic mythology, but finding more precise jump-off points for a leap into the unknown. More streamlined than its multi-layered predecessors, In Times and E, if only to prise open new expanses to explore, its ruminations on the shadowy, titular land of the Norse Jotun ice giants found parallels with the psychological states of the unconscious, and the pilgrimage into our own hearts of darkness that’s the start of the route to all self-knowledge. 
Heimdal offers another tangential act of discovery, another embarkation point for a solemn, expectant and exhilarating passage through the realms of the senses. It&#39;s a reflection of paths travelled, a promise of a new beginning, and a rite of passage between the two. Truly an album for all times.

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